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"A man is not made for defeat. A man can be destroyed, is he." - the old man and the seaPersonal attention-seeking means everyone is longing for his ability to get others to his attention, the 1899 was born in America, his life character, brave, strong combative have a strong tendency of personal heroism. In Europe, gun battle. In the African jungle to catch ferocious beast, in the ring to master the challenge. Also in his fiction is full of war, fighting, love sport, and tourism. The author of the character of his works is the old man and the sea ", in this work embodies a confident, daring to challenge the fate of courage, show the fighting spirit. This work was huge, even as the church , Hemingway's works in many so-called "heroics" composition, more is the bursting of the emotion, Hemingway other piece like "the sun also rises," "A farewell to arms", "short fiction works", the "garden of Eden", "A Movable Feast" etc, can say "and" personal attention-seeking "almost touch on can then consider the topic. If the old man and the sea ", the following reference analysisOutstanding performance:One is to human life. Look! The roar of the shark, aggressive resembles, but not a ChuiMu into the old man! Old man with despair, hunger in battle, heart always in silently thoughtfully: people were not born to overthrow. It is one of life's tenacity and strong embody!2 is the ultimate meaning of life works. Consider, old man with hunger, cold, dark, don't say to work by a fishbone empty? Man is completely cut off line is easy, but he has no! He is in trouble with the strong competition in battle,! YuSiWangPo rather too obstinate. Old man and the sea and in the volatile, completed the people's life force. Here is the success in said: "life is born, the brilliance of itself, not in a dead results - - - - - - - - the heel in cardiac alive!Three QuanZhu work is the concept of "success". The win on the material can be secular sense of success, but not necessarily successful life. If the life as a business to succeed, then, the life first should be perfect personality. Xiang is a loser, but he is recognized as the hero, Liu, but still seized by one as "surabaya rogue". If the solemn, farewell to the significance of human works embodies the spirit of America's western values and. Adventure and heroics usually for the beauty of the old man, San Diego small fishing boat to upload the mayflower "in" the same spirit, namely: can I failed, but you destroy me, I always strive for a breakthrough. Reason: the nationality of works for the works of a is the work presents a new dialogue between man and nature. "The old man and the sea" dialogue ", is weak and strong, loneliness and noise, winning and losing dialogue, it is different from the dialogue with the island, Crusoe is some life. Shark, the sea is spoiled, and the spirit of land for long. People in turbulent waves, and in living in the region, is absolutely called?6 is the product of work is personified. This course should brush, chicheng frankly. As is known to all, Hemingway's life in nature, good adventure. Challenge vitality He thought, no power of life. He hates to human desires, lust, and love, he often bypass the crowd around, magical place hunting, war, piao sentiment. Because of this, he mentally alone in the sea as fighting with the old man of sharks. However, he was born, until picked a secular evil theory with empty, only to double fishbone tube rifle issued a warning to the is a novel, but also can take it as a fable. Hemingway sing out here to humans fighting spirit stubborn. The novel is optimistic note and the end. Through the boy will once again with a new man, to fight and a new , of course, we should also realize that as a bourgeois individual Hemingway's limitations. He neither see, see the way society, the strength of the masses, he is in a weak foothold to personal struggle spirit came. Consequently, he failed to hero is only the hero. The old man and the sea "optimism is wide dark a glimmer of the air, and throughout the is a melancholy throughout the old man is a real image, or if the employee is but a critics say a laborer appearance of Hemingway's intellectuals? We think that is a - the true image of laborer, though, may be slightly. The writer is a true to his characters will simply as his mouthpiece. If Santiago only cosmetic of Hemingway, this novel won't have such power of moving. Santiago's thoughts and feelings and not beyond him such a laborer of thoughts and feelings. He in the boundless sea battle with fish, fish that will both as the enemy and as a brother's mood, should be understood and experience. In Hemingway's this old man is not a profound social content, but are faithful and the old man Santiago is a writer Ernest Hemingway's shadow. His son Gregory Hemingway wrote in a memoir, "Hemingway's hero is Hemingway himself, or his best." This is right. We work in some of the many characters are seen writers of his own shadow. But, in the novel "the old man and the sea", we felt in the thoughts and feelings with Hemingway, Santiago is more closely together, he loves him, sing praises to him, he entered the ", "the old man in the sea, feeling and sentiment is he to experience. In a sense, and from a certain Angle, the old man is Hemingway incarnation. But this is not to say ahead of us is a real art image that YiJiuErLiuNian, Hemingway published "the sun also rises," in this novel, he expressed in the first world war, the part of the American young intellectuals deep despair of reality. He therefore "lost generation" of the identity of the representative by notice, and some people will this novel as a "lost generation" declaration. Since then, he has been in his life and society. He attended the struggle against Spain franco. His works have exposed in the dark, capitalism had antifascist enthusiasm. His sympathy for China's Anti-Japanese War. He is a serious, right-minded writer. But, he always can not out of the circle, and individualism, never get rid of pessimism. Although "lost generation" as a literary genre in in the 1930s has collapsed, after the age from thought, said Hemingway is still a "lost". From the surface, Hemingway is a made great achievements, Fraser shatter his reputation, status, money. He is bold and unconstrained, open-minded, generous. But another Hemingway that he didn't see the real human way. And, as in war, it had a few times impaired his health. And he is old, writing more and more difficult. His heart is depressed, YiYu, doleful. In the boundless hugecrowd struggle, ups. The old man and the sea "is his soul essence of certain things. He not only in the old Santiago's body to his life on the feeling, also be the heroic man to motivate yourself as the to his son, Hemingway later in writing up has less easily. "The past is a water Wells, and now have the water pump.... he is no longer poet..., he became a workman, blame your destiny, sigh he's going into * entangles! � times first-come-first-served basis of dam Lei if ⊙ based Ge He lie � * his genius and back, which gives birth to a masterpiece (refers to the old man and the sea"), although not quite, but the scale, insight, and full of love and truth." Anyway, we can agree on the subject, because love, because of the ground with object close together, is the novel can obtain some achievements and can move one of the important reasons. -- but generally he is getting on in writing. So he had to say such words: "I wrote the book. I can't finish line." "I've been in this damned desk before... but I can't write out. It's not written. You know, I can't." His son say: "he always tries to win. He was lost, the". He's an old friend Malcolm, says: "if he can't write, he didn't want to live." In 1961, with a rifle bullets ended his life. I'm afraid I can't just explain for disease, it should also praised his old Santiago heroism another expression. However, we can also be considered that in the boundless huge crowd to struggle, the individual heroes who toil in a bell, their personal power loss after all, just to see more hope.

277 评论

TracyJunli

1936年4月,海明威在《乡绅》杂志上发表了一篇名为“碧水之上:海湾来信”的散文,其中一段记叙了一位老人独自驾着小船出海捕鱼,捉到一条巨大的大马林鱼,但鱼的大部分被鲨鱼吃掉的故事。早在1939年,海明威搬到古巴时,他就开始计划以此为素材,写一篇情节完整的故事放到他的某个小说系类中。(实际上,他去世后,这个系类里其他篇目作为《海流中的岛屿》的一部分发表出来) 《老人与海》,美国作家欧内斯特•海明威著。《老人与海》是海明威的代表作,也是一部象征性的小说。主人公桑地亚哥是一位老渔夫,他经过重重艰险,捕获了“一条不止一千五百磅重的大马林鱼”,可是在返航的途中,这条大马林鱼却被鲨鱼吃光了,桑地亚哥只拖回了一副鱼的骨架。小说对大海的凄凉景象,对老人的复杂心情与回忆,对老人与鲨鱼搏斗的情景以及他与一个孩子的友情,都作了极具特色的描写,可谓淋漓尽致、引人入胜。 欧内斯特•海明威(1899--1961年),美国小说家,1954年诺贝尔文学奖获得者,获奖之作就是《老人与海》。这部小说是根据一位古巴渔夫的真实经历创作的,以摄像机般的写实手法记录了桑地亚哥老人捕鱼的全过程,塑造了一个在重压下仍然保持优雅风度、在精神上永远不可战胜的老人形象。这部小说创下了人类出版史上空前绝后的一个纪录:48小时售出500万册,50小时售出530万册! 当他被宣布为当年的普利策文学奖得主时,评论界一致称好。"人可以被毁灭,却不可以被打败。"海明威在《老人与海》里所说的话,不仅打动了读者,也征服了评论者。 1954年,因为海明威"精通于叙事艺术,突出地表现在他的近著《老人与海》之中;同时也因为他在当代风格中所发挥的影响",海明威又获诺贝尔文学奖。"每一句话和每一段落,都要尽量写得简洁。"这是海明威写作的信条之一,这使得他的作品改编成电影的数量比任何其他一位获奖者都多. 小说以写实手法展现了捕鱼老人桑地亚哥在重压下仍保持的优雅风度,这种精神上永远不可战胜者成为文学史上最著名的"硬汉"形象之一。对于《老人与海》这本被译成几十种文字的作品, 海明威自己认为 "是这一辈子所能写的最好的一部作品"。 这本书讲了古巴的一个名叫桑地亚哥的老渔夫,独自一个人出海打鱼,在一无所获的84天之后钓到了一条无比巨大的马林鱼。这是老人从来没见过也没听说过的,比他的船还长两英尺的一条大鱼。鱼的劲非常大,拖着小船漂流了整整两天两夜,老人在这两天两夜中经历了从未经受的艰难考验,终于把大鱼刺死,拴在船头。然而在返航时不幸遇上了鲨鱼,老人与鲨鱼进行了殊死搏斗,最终,大马林鱼还是被鲨鱼吃光了,老人历经一番艰辛,最后拖回家的只剩下一副光秃秃的鱼骨架和一身的伤,可还是得到了人们的赞赏。

229 评论

黄二小要奋斗

wilhelma,跪求 论《老人与海》英雄主义 英语论文轻风论文网上面很多关于这方面的东西C158论文的写作心得1.最开始导师会给一个任务书,这时要弄懂是个什么任务,比如我是做一个软件,那么就要明白用什么做(什么开发工具,什么语言,要用到哪个行业知识),然后就是要熟悉这些工具2.要查相关文献。这就包括关于这个项目的国内外最新进展。最好到学校图书馆查,比较好的数据库有IEEE,ACM,万方数据,维普数据等,具体看什么行业。最好找20篇外文文献,40篇中文文献。阅读这些文献时,只要看摘要和结论,这时就知道这篇文献有没有适合自己论文的资料了!尤其是中文文献,你会发现有很多文献内容很雷同,换汤不换药,基本的算法都差不多,这时就要不断筛选了!也要不断找新的文献资料!做完了这个工作,可以把这些文献分类,因为对于一个课题,不同的作者可能从不同的方向看待和解决的。所以,应该建立几个文件夹,分别放置这些不同的解决方案,也便于做参考文献的编写。分好类了,这时就可以写个国内外现状的小总结,可以写到论文的绪论部分,这时很重要的。很多时候自己论文的解决方案也是来自于这个总结。如果你能创新一点,这时你就可以发挥了,博采众长,提出自己的解决方案,这就是科研创新了。C1583.论文的格式要求是很严格的。为此你要充分利用word的一些技巧、office的图标和数据处理功能,visio的流程图。C158A49335

143 评论

南京爱华会务

浅谈《老人与海》中桑提亚哥的逆境英雄气概

【摘要】 诺贝尔文学奖获得者,美国小说名家欧内斯特·米勒尔·海明威,一生中塑造了许多 栩 栩 如生的人物形象。尽管海明威描写的主人公在年龄、性别、职业等方面各不相同,但所塑造出来的形象都有着某些共同的特点:在一个冷漠无情、非理性、让人倍感被遗弃的、孤独的被异化的西方世界里,海明威笔下的主人公能够勇敢面对困难、厄运,他们虽然对这个虚伪的世界感到失望,但依然能够凭着自己的本能去与之抗衡。不管是斗牛士、拳击手,还是猎人、士兵、渔夫,都是勇敢的实践者、拼搏者,无畏的挑战者、征服者,他们都孤独高傲,有着惊人的忍耐力,在充满流血和暴力的世界里经受种种严峻考验,在和对手、敌人的斗争中,毫不妥协,淋漓尽致地展现出他们的力量、尊严和风度。海明威塑造的这些形象,被广大的读者以“逆境英雄”形象所普遍接受。

他把自己的世界在小说中进行了异化:《老人与海》中老人将自已视为了整个人类的代表,马林鱼则象征了人类理想,茫茫大海和大鲨鱼则象征着神秘莫测的命运和不可知的自然力量,因此,老人桑提亚哥与大海、鲨鱼的搏斗象征着人类与大自然、命运及邪恶势力的抗争,他把对自然的悲壮的抗争视为维护尊严的必然。诺贝尔文学奖授奖辞中称赞《老人与海》“是对一种即使一无所获仍旧不屈不挠的奋斗精神的讴歌,是对不畏艰险,不惧失败的那种道义胜利的讴歌”。

《老人与海》是海明威后期的代表作,其中桑提亚哥老渔夫形象是其“逆境英雄”群像中最完美的一个,他把这种形象的塑造推到了高峰,是对所有逆境中的硬汉所作的英雄主义哲理性总结。海明威所塑造的“英雄”形象的出现不是偶然的,书中的故事取材于生活中的真实事件,并融入了作者自身相似的生活经历体验,因此有着深厚的生活文化底蕴和背景他们的形象体现了西方主流文化的精神内涵。

一.桑提亚哥的逆境英雄形象

海明威在一个原始而简单的渔猎故事框架中,塑造了桑提亚哥老渔夫这样一个自信、坚强、百折不挠、永不言败的“英雄”形象,他的精神溢于言,显于表,激荡于内心,彰显于行动。虽然他的身上写满了苍老和沧桑,但他有一双大海一般蓝的眼睛,“愉快、毫不沮丧”;他的生活潦而不倒,却有一颗坚忍不拔的心,自信:只要他愿意,一切都可以被他打得一败涂地。

小说一开头的肖像描绘和“英雄”几乎毫不沾边:“后颈上凝聚了深刻的皱纹,显得又瘦又憔悴……”,他独自一人肩扛桅杆,在黎明前驾船向海洋深处进发。由于他的失败和背运,唯一一个愿意陪他出海的小孩曼诺林也被父母着跟另外的渔船钓鱼去了。

他孤独无援——只身出海到那谁也不愿去,谁也不敢去的深海处,又厄运缠身——连续84天没钓到一条鱼了,他沉着冷静地应付这一难堪,超然平静地听凭人们对他“背运”的议论,知道“这并不是耻辱,而且给真正的高傲也没有带来损失”。同时,他相信自已的经验、智慧和决心能够证明自已是“一个古怪的老头儿”,虽然“证明了一千次都失败了”,仍然对每一天都充满信心和希望。

在深海中他碰到了令人敬佩的强有力的、崇高而优美的对手——巨大的马林鱼,于是一场激烈搏斗,在一个衰弱的老人和一只强壮的大马林鱼之间展开了:鱼逃奔了两天两夜,不断掀起巨浪,拖着孤零零的小船在海上飘荡。钓绳勒进了桑提亚哥的肉里,双手血肉模糊。在大海上追捕大马林鱼的恶战,最为集中地体现了老渔夫桑提亚哥的性格:他忍受着孤独、寒冷、饥饿、伤痛和疲惫,与一条比他船还大的马林鱼进行了一场毅力和耐力的竞赛。

经过一番奋战,人和鱼都已筋疲力尽:一个是为了将要到手的猎物努力拼搏,一个是为了将要失去的生存而奋力抗争。作品的矛盾冲突达到这一顶峰时,我们看到的是生命与生命的抗衡,生存与死亡的赛跑。此时的生命得到充分的激发,力量和美感都发挥到了极致。桑提亚哥内心十分清楚自己在体力上与大马林鱼没有可比性,但他却十分相信自己在意志和经验上的优势,也正是信心一直支撑着他与大马林鱼搏斗。他不断挑战极限,认为“痛苦在于一个男子汉,不算一回事”,希望那条鱼“把我当作比现在的我更有男子气概些”,还大无畏地想:“我希望我是那条鱼,用它所有的一切对抗我仅有的意志与智慧。”面对势均力敌的对手和被大鱼颠覆的危险,他的选择是“到那什么人也没有去过的地方把它找出来”。 毕业论文

桑提亚哥在极度疲乏的归途中,遭遇了更加恶劣的环境——鲨鱼。精疲力竭的老人并没有认输,而是接二连三地与成群结队前来残食大鱼的鲨鱼展开了更为惊心动魄的殊死战斗。在鲨鱼面前,猎者成了被猎者,主动的猎取变成了被动的搏杀。桑提亚哥不知自己是死是活,“他合上两只手,摸一摸手掌心,他还觉得活活的痛哩。他把脊背靠在船梢上,才知道自己没有死。”

看着被穷凶极恶的鲨鱼撕咬得越来越残缺不全的马林鱼,知道这将无法挽回,他决定要“跟它们斗到死”。他蔑视死亡,“不管谁杀死谁”,钦佩鲨鱼的“毫不畏惧而且为所欲为”,欣赏它遨游的速度和所向披靡的锋利牙齿,觉得自已也有一颗像海龟一样的心,即使开膛剖腹,也“还要跳动好几个钟头”。于是当一条鲨鱼来进攻的时候,他用鱼叉扎死了它,又有几条鲨鱼追上来,他用绑在桨上的刀一一结果了它们,乃至后来鱼叉被带走了,刀子被折断了,还有许多鲨鱼即将来围攻,老头仍然坚强地支撑着,“只要我有桨,有短棍,有舵把,我就想法去揍死它们。”他承受着精神和肉体的痛苦,拼尽最后的力气和最后一件武器,与鲨鱼搏斗着。看着他一次次奋起高举的刀叉,听着海面上回荡着一阵阵棒击舵劈的巨响,这一幕幕恢宏壮观的搏击场面显示着他的沉着果敢、智慧勇气,他的坚忍和耐力,他的高超的技艺和准确的判断力,他的视死如归的决心……桑提亚哥对对手力量和速度的赞美和赞叹,更表现出了他对自己自我潜能的一种自信。他通过战胜马林鱼、打败鲨鱼证明了自我,真正流露出硬汉、强者、征服者的英雄气!

小说中的大海、马林鱼以及群鲨,都使得桑提亚哥的形象感性而又深 邃 ——桑提亚哥与大海以及大鲨鱼等的殊死搏斗,象征着人类敢于与大自然、命运及邪恶势力抗争的不屈不挠的精神。他似乎秉承了上帝的旨意,满怀英雄的豪情,在这场人与鱼的斗争中,虽然他也知道力量的悬殊,但他依然毫不退缩,反而充满了自豪。桑提亚哥虽然只是一个靠打鱼为生、倒霉背运、饥寒交迫、在海上顽强拼搏的老渔夫,但他的感情是朴素的、健全的、富有人性的。这也正是他不同于其他英雄的突出特点。桑提亚哥以衰年之躯孤独地飘荡到大海深处,去证明自身生存的价值、人格的价值;同时又在大海的怀抱中寻求帮助,受了伤的手在海水中得到医治,心灵在大海中感受到了温馨和力量,构成了一种人与世界矛盾中的和谐。在桑提亚哥身上,生命的意义似乎得到升华,死亡并不可怕,失败也不可怕,问题是要去正视它,甚至征服它。

二.逆境英雄形象的西方文化蕴涵

通过以上对桑提亚哥典型形象的分析,我们能发掘出其精神中蕴涵的西方传统文化精神的内涵。在桑提亚哥“逆境英雄”形象所张扬的那种豪迈阳刚气慨中,回荡着西方传统文化意蕴的昂扬基调,蕴含着西方文化的精神内涵:勇于挑战、征服自然和个人奋斗的观念和精神意识。而这一思想内涵源自于古希腊,它有着数千年的发展历史。基于“天人相分”的西方文化,人与自然的关系是一种对立的关系。人要生存,就必须穷尽自身努力,向自然索取物质生活资料,发掘自然界一切对自已有用的东西。《圣经》中把人解释为世界的主人,西方文化中以人文文化为出发点,重视个人发展,重视人与自然的斗争;“人定胜天”思想是西方文化的'主导精神;冒险进取精神、个人奋斗意识、扩展征服意识是西方文化主流价值观念所在。而且人对环境的支配主要是要靠自已的精神毅力和人格力量来实现的。在历次白炽化的对抗和僵持中,桑提亚哥对对手一次次的赞美和赞叹,更表现出对自我英雄的自信和赞叹,真正流露出一派挑战、征服者的豪迈气慨,不折不扣地表达了这种精神实质。

无论形势多么严峻,情况多么危急,桑提亚哥以惊人的毅力和旺盛的精力,在对抗中殊死搏斗,表现出了逆境中的英雄们临危不惧的优雅风度。老人的这种代表式“英雄”形象传承并演绎了西方主流文化中藐视厄运、并奋力征服厄运的优雅风度。这也是西方主流文化中对人类敢于与命运抗争,并且勇于在抗争中所表现出的勇敢、悲壮和崇高所表述的赞赏和赞叹。

在人与自然的对抗中,虽然人往往是渺小单薄的,但应该以一种超然的态度和勇气面对失败和悲剧,这也才体现出最崇高意义的英雄本色——从容且高傲地直面失败,越战越勇,越挫越奋、毫不气馁。桑提亚哥这种绝不向失败低头,明知不可以而为之,单枪匹马挑战未知世界的拼搏精神,一脉相承地体现了逆境中的英雄傲然、不可征服的信念。这才是人的精神力量的真正所在!

“人是可以被毁灭的,但是不能被打败”,这句话表明了老人的“英雄式”人生态度,同时也赋予了桑提亚哥勇敢、自信、自尊,永不屈服的鲜活性格;弘扬了人的力量、尊严和勇气,也传达了这样一个强烈的信息:世界上最有价值的行为就是个人凭借自已超常的毅力、勇气和智慧挑战自然和命运,以其无畏的高贵行为实现人的价值。不同于以往海明威作品中的完美神话式的英雄们(具有强健的体魄、超人的力量和坚强勇敢)的形象,桑提亚哥显得十分另类与不同(年老体衰、心灵饱受挫伤、面临着严重的生存危机)。海明威通过这样一个悲剧式英雄人物背景的烘托,更完美地突出了英雄内心充满自信和勇敢的性格魅力。

柏拉图说过,勇敢是逆境世界里传出的理想国度的声音,他表现的是勇猛的乐调。分析这些“逆境式”英雄形象的勇猛精神对现代人有着很重要的启迪意义。现代社会中,在求学、工作、生活等方面遇到强大压力时,在面对纷繁复杂的生活百态时,这种硬汉特质和“英雄式”积极的生活态度也正是我们现代人努力寻求的答案。“逆境式”的坚忍不拔、顽强拼搏、永不放弃的英雄精神是人类应该追求的人生观、价值观;自信、自强和自尊是人类永恒存在的价值。

参考文献:

[1]本文对小说的引述选自海观译作,上海译文出版社.

[2]海明威著,吴劳译《海明威文集)[M]. 上海译文出版社,2004.

[3]马·考利.海明威,这头老狮子[M]. 外国散文赏析.保定:河北大学出版社,1993.

[4]熊均选编.《海明威作品精髓》[C]. 石家庄:河北教育出版社,1995(2).

[5]姜帅.《老人与海》中桑提亚哥的硬汉本色.外国文学研究,2010年第4期.

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