番茄小清新
1、半月谈
半月谈是于1979年创刊,以广大基层群众为读者定位的国内发行量较大的时政刊物,也是有着“中华第一刊”美誉的重要党刊,目前已经开办了网校、社情民意调查中心、网站,建立了多业态、多文种的期刊集群。
2、南都周刊
南都周刊是隶属于南方都市报,以一个城市为关注对象,以城市温度计为杂志定位的新闻性综合类城市杂志,以有着冷静梨形且有着独立思考能力的城市人群为读者定位,是城市人群的高品质读物。
3、三联生活周刊
三联生活周刊是隶属于中国出版集团三联书店,在国内读者群中有着较为广泛影响力和良好声誉的综合性新闻和文化类周刊,其中设立的栏目涵盖了现代生活的方方面面,内容具有较高的含金量。
4、中国新闻周刊
中国新闻周刊是以政治经济为杂志定位,于2000年创刊的权威深度网络新闻来源,其中报道的内容个覆盖了政治、经济、科技、文化、时尚娱乐等多个领域,并还被翻译成多种语言,拥有多个主流市场。
5、新周刊
新周刊是于1996年创办,由南方出版传媒公司主管和主办的杂志,通常会在每月1日和15日出版,这个有着传媒接话题策源地美誉的杂志,在中国期刊市场有着较高的舆论影响力且较具代表性。
6、凤凰周刊
凤凰周刊是隶属于香港凤凰卫视,专注于报道时事、政治和文化等领域内容,并且会深度报道和跟踪国内外重大事件及其背后故事的时政类杂志,不仅在国内,甚至在全球华人圈中有着较高知名度和美誉度。
7、看天下
这本创刊于2005年,于每月8日、18日和28日出版的新闻类文摘杂志,这本在主流人群中具有较为广泛影响力的文摘杂志,其中内容覆盖了社会、财经、科技、文化、时尚、娱乐等多个领域。
8、环球杂志
环球杂志是于1980年创刊,由新华社主管、瞭望周刊社主板的国内外颇具影响的精品杂志,是集权威性、知识性和趣味性于一体的全球时事新闻刊物,经过四十多年的发展,目前已经在全球多个国家设有派驻机构和地方分社,形成了较大的新闻信息采集网络。
9、南风窗
南风窗是隶属于广州日报报业集团,于1985年创刊,在政治、经济和思想学术领域有着广泛影响,发行覆盖全国的正经新闻杂志,因其独立的叙事立场、冷静的叙事风格而深得人心,除此之外,海域多个学术机构展开合作,为政府企业提供具有较高价值的研究报告。
10、财经网杂志
这本与1998年创刊,专注于关注中国经济制度变革与现代市场经济进程的财经杂志,同时还会发布关于海外经济、时政要闻等多个报道,是以公正性和专业性为新闻杂志原则,旨在及时报道评论中国及世界重大事件和焦点人物。
PK从来没赢过
1.专著 Style and Rhetoric of Short Narrative Fiction: Covert Progressions Behind Overt Plots, 唯一作者,纽约和伦敦Routledge出版社,2013年11月出版。《叙事、文体与潜文本——重读英美经典短篇小说》,唯一作者,北京大学出版社2009,2011年重印。《英美小说叙事理论研究》,申丹、韩加明、王丽亚著,北京大学出版社2005,2013第4次印刷。《叙述学与小说文体学研究》,唯一作者,北京大学出版社,1998,2007年第3版第3次印刷。《文学文体学与小说翻译》(Literary Stylistics and Fictional Translation),唯一作者,北京大学出版社,1995,2007年第5次印刷。《西方叙事学:经典与后经典》,申丹、王丽亚著,北京大学出版社,2010,2013年第3次印刷,北京市高等教育精品教材。2.译著《解读叙事》(J.希利斯·米勒著),唯一译者,北京大学出版社2002,2004年第3次印刷。《当代叙事理论指南》(詹姆斯·费伦、彼得·J.拉宾诺维茨主编),申丹等六位译者合译(69.6万字),北京大学出版社2007。3.编著《西方文体学的新发展》,主编(三万字导读),上海外语教育出版社,2008,2011年重印。《欧美文学论丛:欧美文论研究》,申丹、秦海英主编,人民文学出版社,2003。“新叙事理论译丛”(共七部译著),译丛主编,北京大学出版社,2002-2011。 在国内外学术期刊、参考书和论文集中共发表论文约170篇(包括导读、书评等),其中有三十余篇期刊论文被国际权威索引A&HCI检索,在国内发表的论文有七十余篇发表于CSSCI来源期刊。在国外重要期刊发表的论文包括:美国Narrative(叙事研究顶级期刊)5 篇欧美Poetics Today(诗学理论研究顶级期刊)3 篇(其中1篇为合著,第1作者)美国Nineteenth-Century Literature(19世纪文学顶级期刊)1 篇欧洲Journal of Literary Semantics(文学语义学研究顶级期刊)3 篇美国Style(文体研究顶级期刊)6 篇(其中1篇与学生合著,第2作者)英国Language and Literature(文体研究并列顶级期刊)4 篇(其中2篇与学生合著,第2作者)欧洲English Studies: A Journal of English Language and Literature 2 篇加拿大ARIEL: A Review of International English Literature 1 篇美国Journal of Narrative Technique 1 篇美国Journal of Narrative Theory 1 篇欧洲Babel: International Journal of Translation(国际译联International Federation of Translators会刊)7 篇欧洲Poetics 1 篇美国Comparative Literature Studies 1 篇英国Comparative Critical Studies 1 篇(两人合著,第1作者)在国外重要期刊、权威参考书和论文集中共发表论文50余篇,以下是其中的大部分:Dan Shen,“Implied Author, Authorial Audience, and Context: Form and History in Neo-Aristotelian Rhetorical Theory”Narrative Vol. 21, No. 2 (2013): 140-158.Dan Shen, “Covert Progression Behind Plot Development: Katherine Mansfield’s ‘The Fly’.” Poetics Today Vol. 34, No.1-2 (2013): 147-175.Dan Shen, “Stylistics in China in the New Century.” Language and Literature Vol. 21, No.1(2012,创刊20周年纪念刊): 93-105. Dan Shen, “Language Peculiarities and Challenges to Universal Narrative Poetics.” In Analyzing World Fiction: New Horizons in Narrative Theory, edited by Frederick Luis Aldama. Austin: University of Texas Press, 2011, 17-32.Dan Shen, “Neo-Aristotelian Rhetorical Narrative Study: Need for Integrating Style, Context and Intertext.” Style Vol. 45, No.4 (2011): 576-597. Dan Shen, “What is the Implied Author?”Style Vol. 45, No. 1 (2011): 80-98.Dan Shen, “Unreliability.”Living Handbook of Narratology, edited by Peter Huhn et. al. Hamburg: Hamburg Univeristy Press, 2010.Dan Shen, “Implied Author, Overall Consideration, and Subtext of ‘Desiree’s Baby’.” Poetics Today Vo. 31, No.2 (2010): 285-312. Dan Shen, “The Stylistics of Narrative Fiction.” In Language and Style, edited by Dan McIntyre and Beatrix Busse. Hampshire and New York: Palgrave MacMillian, 2010, 225-249.Dan Shen, “‘Overall- Extended Close Reading’ and Subtexts of Short Stories.”English Studies: A Journal of English Language and Literature Vol. 91, No.2 (2010): 150-169.Dan Shen, “Non-ironic Turning Ironic Contextually: Multiple Context- Determined Irony in ‘The Story of an Hour’.”JLS: Journal of Literary Semantics Vol.38, No.2 (2009): 115-130.Dan Shen, “Edgar Allan Poe’s Aesthetic Theory, The Insanity Debate, and Ethically-Oriented Dynamics of ‘The Tell-Tale Heart.’”Nineteenth-Century Literature Vo. 63, No.3 (2008): 321-345. Dan Shen, “Review: Text World Theory: An Introduction.” Journal of Literary Semantics Vol. 37, No.1 (2008): 91-95.Dan Shen and Dejin Xu, “Intratextuality, Intertextuality, and Extratextuality: Unreliability in Autobiography versus Fiction.” Poetics Today Vo.28, No.1 (2007): 43-87.Dan Shen, “Internal Contrast and Double Decoding: Transitivity in Hughes’s ‘On the Road.’” JLS: Journal of Literary Semantics Vol. 36, No.1 (2007): 53-70.Dan Shen, “Booth’s The Rhetoric of Fiction and China’s Critical Context.” Narrative Vol. 15, No. 2 (2007): 167-186.Dan Shen, “Subverting Surface and Doubling Irony: Subtexts of Mansfield’s ‘Revelations’ and Others.” English Studies: A Journal of English Language and Literature Vol. 87, No.2 (2006): 191-209. Dan Shen and Xiaoyi Zhou, “Western Literary Theories in China: Reception, Influence and Resistance.” Comparative Critical Studies Vol. 3, No.1-2 (2006): 139-155..Dan Shen, “How Stylisticians Draw on Narratology: Approaches, Advantages, and Disadvantages.” Style Vol. 39, No. 4 (2005): 381-395. Dan Shen, “Story-Discourse Distinction.” Routledge Encyclopedia of Narrative Theory. Ed. David Herman et. al. London & New York, Routldege, 2005, 566-567.Dan Shen, “Why Contextual and Formal Narratologies Need Each Other.” JNT: Journal of Narrative Theory Vol.35, No.2 (2005): 141-171. Dan Shen, “What Narratology and Stylistics Can Do for Each Other.” InA Companion to Narrative Theory, edited by James Phelan and Peter J. Rabinowitz. Oxford: Blackwell, 2005, 136–149.Dan Shen, “Broadening the Horizon: On J. Hillis Miller’s Ananarratology.” Provocations to Reading, edited by Barbara Cohen and Dragan Kujundzic. New York: Fordham University Press, 2005, 14-29.Yinglin Ji and Dan Shen, “Transitivity and Mental Transformation: Sheila Watson’s The Double Hook.”Language and Literature Vol.13, No. 4 (2004): 335-348.Dan Shen, “What Do Temporal Antinomies Do to the Story-Discourse Distinction?: A Reply to Brian Richardson’s Response.”Narrative Vol.11, No.2 (2003): 237-241.Dan Shen, “Difference Behind Similarity: Focalization in Third-Person Center of Consciousness and First-Person Retrospective Narration.” In Acts of Narrative, edited by Carol Jacobs and Henry Sussman. Stanford: Stanford University Press, 2003, 81-92.Dan Shen, “The Future of Literary Theories: Exclusion, Complementarity, Pluralism.” ARIEL: A Review of International English Literature Vol. 33, No. 3-4 (2002): 159-182.Zongxin Feng and Dan Shen, “The Play off the Stage: The Writer-Reader Relationship in Drama.”Language and Literature Vol.10, No. 1 (2001): 79-93.Dan Shen, “Traveling Theory: A Twisting Movement.” In In Search of a New Alphabet, edited by Harald Hendrix et. al. Amsterdam & Philadelphia: John Benjamins, 1996, 213-218.Dan Shen, “Defense and Challenge: Reflections on the Relation Between Story and Discourse.”Narrative Vol. 10, No. 3 (2002): 222-243.Dan Shen, “Narrative, Reality, and Narrator as Construct: Reflections on Genette’s Narration.” Narrative Vol. 9, No.2 (2001): 123-129.Dan Shen, “Breaking Conventional Barriers: Transgressions of Modes of Focalization.” InNew Perspectives on Narrative Perspective, edited by Willie van Peer and Seymour Chatman. New York: SUNY Press, 2001, 159-172.Dan Shen, “Review: Semiotics and the Problem of Translation.” Babel: International Journal of Translation Vol.42, No.1 (1996): 53-57. Dan Shen, “Syntax and Literary Significance in the Translation of Realistic Fiction.”Babel: International Journal of Translation Vol. 38, No.3 (1992): 149-167.Dan Shen, “On the Transference of Modes of Speech from Chinese Narrative Fiction into English.” Comparative Literature Studies Vol.28, No.4 (1991): 395-415.Dan Shen, “The Distorting Medium: Discourse in the Realistic Novel.” Journal of Narrative Technique Vol.21, No.3 (1991): 231-249.Dan Shen, “Unreliability and Characterization.” Style Vol. 23, No. 2 (1989): 300- 311.Dan Shen, “Literalism: NON ‘formal-equivalence’.” Babel: International Journal of Translation Vol. 35, No. 4 (1989): 219-235.Dan Shen, “Stylistics, Objectivity, and Convention.”Poetics Vol.17, No.3 (1988): 221-238. Dan Shen, “On the Aesthetic Function of Intentional Illogicality in English-Chinese Translation of Fiction.”Style Vol. 22, No.4 (1988): 628-645.Dan Shen, “Objectivity in the Translation of Narrative Fiction.” Babel: International Journal of Translation Vol.34, No.3 (1988): 131-140.Dan Shen, “Fidelity Versus Pragmatism.” Babel: International Journal of Translation Vol. 31, No.3 (1985): 134-137.国内发表在CSSCI来源期刊的论文包括: 《外国文学评论》14 篇《外语教学与研究》13 篇(其中2篇为合著,第2作者)《国外文学》10 篇《外国文学》7 篇《外国文学研究》4 篇《当代外国文学》1 篇《外国语》2 篇《中国翻译》2 篇《中国外语》2 篇《北京大学学报》(哲社版)5 篇《外语与外语教学》9 篇(其中3篇为合著,第2作者)《江汉论坛》1 篇《江西社会科学》4 篇发表于其他核心期刊的论文:《外国语文》(《四川外国语大学学报》)5 篇(其中2篇为合著,第2作者) 多次在国际学术会议上作特邀大会主旨发言,其中三次(均为唯一非西方的特邀主旨报告):2013年欧洲叙事学协会(ENN)第三届年会,主旨报告题目“Contextualized Poetics and Contextualized Rhetoric: Consolidation or Subversion?”2011年PALA(Poetics and Linguistics Association)年会,主旨报告题目“How to Uncover Narrative Subtext in Stylistic Analysis”。2009年德国弗莱堡大学“Linguistics and Literary Studies”国际研讨会,主旨报告题目“How to Make Linguistics More Helpful to the Interpretation of Narrative Fiction”。
叙事学是对叙事文本的一种系统性研究,着眼于文本的框架结构、叙事方式,意在为科学地认识叙事文提供理论支持。通常,叙事作品被研究者划分为三个彼此因依的层面,即“文本
1、半月谈 半月谈是于1979年创刊,以广大基层群众为读者定位的国内发行量较大的时政刊物,也是有着“中华第一刊”美誉的重要党刊,目前已经开办了网校、社情民意调查
发一篇核心期刊不如发一篇EI论文,相关知识可以在我的百度空间里了解。
中国教育报刊:《教育导刊》杂志创刊于1983年,是广州市教育局主管、广州市教育科学研究所主办的综合性教育理论刊物。经国家新闻出版总署批准,由广州市教育局主管,广
先是要写好文章,然后就是投稿的。选择自己适合的期刊就可以了